Many times, I get asked if I can give a discount on a piano I have never seen before. Let me give you some examples of piano tunings that I have given discounts on.
1. One customer informed me that they had the piano tuned within the last 2 years. When I got to the residence, I had trouble trying to get the keys to play - most of them were stuck. I removed some case parts so I could get a good look inside.
There were hundreds of dead cockroaches 'glued' to the keybed and in between the keys. After ONE HOUR of removing the dead insects and lubricating the action, I tuned the piano. *Remember, I gave a discount on this job and it should have cost much more than my normal fee. How the previous tuner was able to tune this piano is a complete mystery to me.
2. Another customer just wanted the piano tuned. When I removed the case parts and the keys, I noticed an old mouse nest in the middle of the keybed. I removed all the keys, vacuumed out the action, and then tuned the piano much later than I originally intended.
3. A customer only wanted one wire replaced. Although the service call fee wouldn't cover me driving 30 miles away, I decided to go anyway. The client had already paid someone else to tune the piano (that tuner couldn't replace wires). Inspecting the piano before deciding to put on the wire, I told them that the piano had severe structural problems and that it needed to be repaired and shouldn't have been tuned in the first place!
Nine times out of ten, there's always about 1/2 hour of extra work to do. Sticking notes, hammers that are not hitting the strings, damping problems, squeaking pedals, squeaking benches, squeaking keys, buzzing sounds, loose screws, actions that are out of regulation, etc, etc,.
Think of it this way. When you buy a car, do you just put gas in it and leave everything else alone, or do you constantly have it looked after by a mechanic? A piano deserves exactly the same attention to function properly.
I generally give small discounts to customers whose pianos I HAVE TUNED PREVIOUSLY if tuned again in the SAME YEAR.
https://www.paulbrown.org Email: paulbrn@telus.net
Tel: 604-324-7013 (no texting)
Thursday, June 7, 2012
Wednesday, February 9, 2011
How to Clean a Piano Comprehensively - What about the dirt and grime inside?
When most customers ask me ask me if their piano is clean, they are almost never referring to what lurks underneath the keys or deep inside the piano.
Many only want their pianos to look good and be free of any scratches.
When I remove the action (because of troubleshooting sticking notes) and keys, most customers are absolutely horrified at the dust, dirt, grime and lost items hiding in plain sight just underneath the shiny keys.
These last two weeks, I have found a mouse nest (underneath the middle of the keyboard of a piano that was only ever just tuned), lots of spider webs, spiders, dead cockroaches, mouse droppings (pianos are a favorite place for mice to breed), bobby pins, guitar pics, and many other items.
I could write a book on the items I have found during all of the years I have been tuning.
While I do understand the expense of getting a piano tuned, I don't understand why all customers don't have their pianos cleaned THOROUGHLY INSIDE at least once every 5 years or so - especially noting the cleanliness aspect.
Yes, I actually will include cleaning on every SECOND TUNING that I do for a customer. That's easy to do because the piano would require only a normal tuning with the extra time being devoted to the other "stuff" hiding in plain sight under the keys or underneath the bottom board of an upright piano. If you need general cleaning (not soundboard cleaning - that would take more time) during the first tuning, the cost is $50. extra and the results are spectacular!
So please do the following:
1. Get your piano tuned at least once per year.
2. Have your technician clean the inside of the piano.
3. Have your technician suggest the best options of cleaning the outside of your piano.
Many only want their pianos to look good and be free of any scratches.
When I remove the action (because of troubleshooting sticking notes) and keys, most customers are absolutely horrified at the dust, dirt, grime and lost items hiding in plain sight just underneath the shiny keys.
These last two weeks, I have found a mouse nest (underneath the middle of the keyboard of a piano that was only ever just tuned), lots of spider webs, spiders, dead cockroaches, mouse droppings (pianos are a favorite place for mice to breed), bobby pins, guitar pics, and many other items.
I could write a book on the items I have found during all of the years I have been tuning.
While I do understand the expense of getting a piano tuned, I don't understand why all customers don't have their pianos cleaned THOROUGHLY INSIDE at least once every 5 years or so - especially noting the cleanliness aspect.
Yes, I actually will include cleaning on every SECOND TUNING that I do for a customer. That's easy to do because the piano would require only a normal tuning with the extra time being devoted to the other "stuff" hiding in plain sight under the keys or underneath the bottom board of an upright piano. If you need general cleaning (not soundboard cleaning - that would take more time) during the first tuning, the cost is $50. extra and the results are spectacular!
So please do the following:
1. Get your piano tuned at least once per year.
2. Have your technician clean the inside of the piano.
3. Have your technician suggest the best options of cleaning the outside of your piano.
Friday, January 7, 2011
Piano Tuning Quotes - "Please Give Me a Quote"
Continue reading below, but I no longer give quotes. I cannot quote on something I've never seen.
Fine-tuning (2 HOUR APPOINTMENTS that include minor adjustments and vacuuming UNDERNEATH KEYS), my fee is $185 GST included. That price is for Vancouver, North, and West Vancouver. For Richmond and Burnaby, the fee is $195.
Pitch raising or lowering IS INCLUDED, but you must understand that if your piano has not been tuned regularly, 2 times per year, every year, you should schedule another appointment in about 1-3 months. There is no way a piano can stay in tune after many years of neglect. When you attend a piano concert, you'll notice that the piano tuner comes on stage during intermission to make minor adjustments. So, if a piano goes slightly out of tune during the first part of a performance, imagine how far out of tune it will be in 6 months!
I always ask the customer to give me the general location of where the piano will be, the name of the piano and if possible, when it was last tuned.
At least this way, I have some information to help me assist the customer with general pricing guidelines.
For more information, check out my piano tuning fees: http://paulbrownrpt.blogspot.com/search/label/Piano Tuning Fees.
https://www.paulbrown.org Email: paulbrn@telus.net
Tel: 604-324-7013 (no texting)
Fine-tuning (2 HOUR APPOINTMENTS that include minor adjustments and vacuuming UNDERNEATH KEYS), my fee is $185 GST included. That price is for Vancouver, North, and West Vancouver. For Richmond and Burnaby, the fee is $195.
Pitch raising or lowering IS INCLUDED, but you must understand that if your piano has not been tuned regularly, 2 times per year, every year, you should schedule another appointment in about 1-3 months. There is no way a piano can stay in tune after many years of neglect. When you attend a piano concert, you'll notice that the piano tuner comes on stage during intermission to make minor adjustments. So, if a piano goes slightly out of tune during the first part of a performance, imagine how far out of tune it will be in 6 months!
I always ask the customer to give me the general location of where the piano will be, the name of the piano and if possible, when it was last tuned.
At least this way, I have some information to help me assist the customer with general pricing guidelines.
For more information, check out my piano tuning fees: http://paulbrownrpt.blogspot.com/search/label/Piano Tuning Fees.
https://www.paulbrown.org Email: paulbrn@telus.net
Tel: 604-324-7013 (no texting)
Tuesday, July 6, 2010
Free Pianos
Do NOT buy a piano without consulting a Registered Piano Technician. The used piano business is FAR WORSE than the used car business!
With the economy the way it is, many parents are looking for real bargain pianos. They search the classified ads, Craig's List, Buy & Sell Online, and other piano resource pages.
Piano seller ads (I should say: "Run as fast as you can" if you see some of the wording for ads below.)
1. Leaving the country - must sell now!
2. House just sold - piano free!
3. 80 year old piano in perfect condition. A few notes don't work and pedal needs adjusting. Perfect for the beginner.
4. Old piano. Selling as furniture.
Thinking that cheaper is better (because nobody wants to spend money if their children may lose interest in playing the piano), parents sometimes look for the cheapest piano.
I get calls all the time from customers who have been given (or found) a free piano. Immediately, my heart sinks because I am all too aware of the dangers of "caveat emptor" - Let the buyer beware.
Here is a list of the questions I ask:
1. What is the name of the piano? From the name, I can tell where the piano was made. Hopefully it was produced for the North American market.
2. I ask what the serial number is so I can find out the age of the instrument.
3. When was the piano last tuned? There should be a business card in the piano (just under the top lid) or the seller (giving away the piano for free) may know who the tuner was.
4. I ask the customer to play all the notes chromatically (from the lowest bass note to the highest treble note), and I listen over the phone as they play. I can immediately deduce most problems (but not all) just by listening to the notes (some notes may not work).
5. I ask the customer to take camera phone photos behind the piano, looking down inside the piano from the top and a photo of the front of the piano.
If I get good feedback from answers to the above questions, I will probably set up a time to do a piano appraisal.
The BEST book of information on how to buy a piano: http://www.pianobuyer.com
It is free to view online!
With the economy the way it is, many parents are looking for real bargain pianos. They search the classified ads, Craig's List, Buy & Sell Online, and other piano resource pages.
Piano seller ads (I should say: "Run as fast as you can" if you see some of the wording for ads below.)
1. Leaving the country - must sell now!
2. House just sold - piano free!
3. 80 year old piano in perfect condition. A few notes don't work and pedal needs adjusting. Perfect for the beginner.
4. Old piano. Selling as furniture.
Thinking that cheaper is better (because nobody wants to spend money if their children may lose interest in playing the piano), parents sometimes look for the cheapest piano.
I get calls all the time from customers who have been given (or found) a free piano. Immediately, my heart sinks because I am all too aware of the dangers of "caveat emptor" - Let the buyer beware.
Here is a list of the questions I ask:
1. What is the name of the piano? From the name, I can tell where the piano was made. Hopefully it was produced for the North American market.
2. I ask what the serial number is so I can find out the age of the instrument.
3. When was the piano last tuned? There should be a business card in the piano (just under the top lid) or the seller (giving away the piano for free) may know who the tuner was.
4. I ask the customer to play all the notes chromatically (from the lowest bass note to the highest treble note), and I listen over the phone as they play. I can immediately deduce most problems (but not all) just by listening to the notes (some notes may not work).
5. I ask the customer to take camera phone photos behind the piano, looking down inside the piano from the top and a photo of the front of the piano.
If I get good feedback from answers to the above questions, I will probably set up a time to do a piano appraisal.
The BEST book of information on how to buy a piano: http://www.pianobuyer.com
It is free to view online!
Tuesday, June 22, 2010
Why Kids Quit Piano Lessons
Ever wonder why kids stop playing the piano? (This is only my perspective on viewing hundreds of situations during daily piano servicing over many years).
As a piano technician, I am always astonished at the condition of pianos that children are asked to play. Amazingly, some of these kids are absolutely top notch and are somehow able to compensate for the lack of playability of their pianos.
Here are just a couple of examples of the pianos I have encountered recently.
Case #1: An institution has a piano that is used regularly. I was called in by a fellow technician to work on the piano because it was not functioning properly.
Believe it or not, I could not get any of the notes to play - AT ALL!! Wondering what the time line would be to get the piano in working order, I asked how often the piano was used (assuming it was not played at all). I was told that it was in use ALL THE TIME!
How is this possible? How can kids be asked to play pianos that simply do not work? How can they stay inspired if they are asked to play something that has no sound? I know - it was a completely unbelievable experience for me as well.
Case #2: A customer brought the family piano from Asia. I was called in to work on it after a teacher gave me the referral. I was told that the children were keenly interested in playing but some of the notes (every time I hear those few words, alarm bells go off) were not sounding quite right.
The piano was a complete disaster! Tuning pins horribly loose, action parts wobbly. There was simply no way the piano could be played. It needed to be completely rebuilt!
My opinion is that kids are astonishing at hearing good quality sound. After all they listen to sound tracks on the computer much of the time. Their hearing becomes so highly developed, they are actually able (in my experience) to hear quite well when the piano is going out of tune.
Kids advise their parents that "the piano sounds funny" and that they should get the piano tuned. Most of the parents hear the complaints, but either put off the tuning because of budgetary reasons or because they ignore the requests of their children.
Kids start to lose interest and stop playing the piano entirely. It is a very sad situation. After all, the parents have paid good money to get an instrument so their kids would have an interest in playing but are usually neglectful in paying a small amount extra to get regular piano servicing every year.
It is a lose, lose situation. The kids quit piano and the parents don't understand why. Then the parents have to find some other interest for their child.
https://www.paulbrown.org Email: paulbrn@telus.net
Tel: 604-324-7013 (no texting)
As a piano technician, I am always astonished at the condition of pianos that children are asked to play. Amazingly, some of these kids are absolutely top notch and are somehow able to compensate for the lack of playability of their pianos.
Here are just a couple of examples of the pianos I have encountered recently.
Case #1: An institution has a piano that is used regularly. I was called in by a fellow technician to work on the piano because it was not functioning properly.
Believe it or not, I could not get any of the notes to play - AT ALL!! Wondering what the time line would be to get the piano in working order, I asked how often the piano was used (assuming it was not played at all). I was told that it was in use ALL THE TIME!
How is this possible? How can kids be asked to play pianos that simply do not work? How can they stay inspired if they are asked to play something that has no sound? I know - it was a completely unbelievable experience for me as well.
Case #2: A customer brought the family piano from Asia. I was called in to work on it after a teacher gave me the referral. I was told that the children were keenly interested in playing but some of the notes (every time I hear those few words, alarm bells go off) were not sounding quite right.
The piano was a complete disaster! Tuning pins horribly loose, action parts wobbly. There was simply no way the piano could be played. It needed to be completely rebuilt!
My opinion is that kids are astonishing at hearing good quality sound. After all they listen to sound tracks on the computer much of the time. Their hearing becomes so highly developed, they are actually able (in my experience) to hear quite well when the piano is going out of tune.
Kids advise their parents that "the piano sounds funny" and that they should get the piano tuned. Most of the parents hear the complaints, but either put off the tuning because of budgetary reasons or because they ignore the requests of their children.
Kids start to lose interest and stop playing the piano entirely. It is a very sad situation. After all, the parents have paid good money to get an instrument so their kids would have an interest in playing but are usually neglectful in paying a small amount extra to get regular piano servicing every year.
It is a lose, lose situation. The kids quit piano and the parents don't understand why. Then the parents have to find some other interest for their child.
https://www.paulbrown.org Email: paulbrn@telus.net
Tel: 604-324-7013 (no texting)
Saturday, June 12, 2010
Piano Tuner Accreditation
When I decided to become a piano tuner, I contacted the technician who had been servicing our family piano for many years. To test my inspiration, the technician advised me to read two technical piano books first to see if I really wanted to study the profession. The first book is called "Piano Tuning and Allied Arts" (http://www.amazon.com/Piano-Tuning-Allied-William-Braid/dp/9996267636) by William Braid White. The second book is "Piano Servicing Tuning and Rebuilding" (http://www.amazon.com/Piano-Servicing-Tuning-Rebuilding-Second/dp/1879511029/ref=pd_bxgy_b_img_bl) by Arthur A. Reblitz.
After reading these books, I found that my interest in piano technology only increased. I was then advised to take a correspondence piano technology course. The course I chose was the Niles Bryant correspondence course in Sacramento California and to my knowledge is no longer available.
Upon completing the correspondence course, I trained with several technicians in one location for a few years. The training was very intense and I had to work for 5 - 7 days a week. The training included tuning, regulating, repairs and complete rebuilding.
One day, while out in the field, my trainer told me that I was going to do the tuning for this job, completely by ear. When I was finished, he checked my work and told me that in his opinion I was ready to take the Piano Technicians Guild tuning exam.
I signed up for the tuning exam and passed it in Tacoma Washington on my first try (minimum of 80% to pass in 8 sections). Deciding that was not good enough, I took the exam an additional 4 times to see how good I could get. After all in this field, being just good is not good enough. My customers expect the best job possible at all times.
After passing the tuning exam, I took the Piano Technicians Guild technical exam in Vancouver. I also passed this exam on my first try and soon afterward I received confirmation from the PTG Home Office that I had been reclassified to Registered Piano Technician status.
I have continued to upgrade my skills by attending numerous Regional Conferences and PTG Conventions.
https://www.paulbrown.org Email: paulbrn@telus.net
Tel: 604-324-7013 (no texting)
After reading these books, I found that my interest in piano technology only increased. I was then advised to take a correspondence piano technology course. The course I chose was the Niles Bryant correspondence course in Sacramento California and to my knowledge is no longer available.
Upon completing the correspondence course, I trained with several technicians in one location for a few years. The training was very intense and I had to work for 5 - 7 days a week. The training included tuning, regulating, repairs and complete rebuilding.
One day, while out in the field, my trainer told me that I was going to do the tuning for this job, completely by ear. When I was finished, he checked my work and told me that in his opinion I was ready to take the Piano Technicians Guild tuning exam.
I signed up for the tuning exam and passed it in Tacoma Washington on my first try (minimum of 80% to pass in 8 sections). Deciding that was not good enough, I took the exam an additional 4 times to see how good I could get. After all in this field, being just good is not good enough. My customers expect the best job possible at all times.
After passing the tuning exam, I took the Piano Technicians Guild technical exam in Vancouver. I also passed this exam on my first try and soon afterward I received confirmation from the PTG Home Office that I had been reclassified to Registered Piano Technician status.
I have continued to upgrade my skills by attending numerous Regional Conferences and PTG Conventions.
https://www.paulbrown.org Email: paulbrn@telus.net
Tel: 604-324-7013 (no texting)
Saturday, March 27, 2010
Piano Tuning Myths & Misinformation
Over the years, the piano owner has become misinformed about the care and maintenance of their instrument.
Myth: Pianos get better over time.
Fact: No! Can you think of ANY manufactured item that gets better over time? When you buy a car, you are advised by the car manufacturer to set up a maintenance schedule because your car will require yearly service. That's because over time, parts will start to deteriorate. Using the car analogy again, if you drive your car constantly, the tires will eventually go bald and lose the tread to grip the road surface. In a piano hammer, the surface must be very smooth to produce a high quality sound. Over time, from constant use, the hammers become heavily grooved and the sounds produced becomes very strident, loud and difficult to listen to. Only by re-shaping the hammers, can the surfaces be brought back to smooth oval shapes to produce the best sounds possible. So far, I've only talked about piano hammers. What about the thousands of other parts of the piano action that require yearly maintenance. Sadly, most piano owners almost never keep their pianos maintained. They usually call to have their pianos tuned (not realizing that they are actually calling the tuner to fix something!).
Myth: A piano tuner is the same as a piano technician.
Fact: No! Some tuners only know how to tune and have no formal training in repair or maintenance. Again, it comes down to trade papers. Are they qualified or are they not?
Myth: All tuners who advertise their craft are qualified.
Fact: No! Piano tuning is NOT a regulated profession. ANYBODY can buy tools, a tuning machine and go out into the public domain and work as a 'Professional' (only means that they take money for their work) Piano Tuner. One of the most glaring examples I saw was a very large yellow page ad in the phone book. The person advertised themselves as a professional piano tuner and could not even set pitch (A440). They had no knowledge of how to set a temperament either! Please check for trade papers and if those are not easily available, recommendations (word of mouth) from recording or music (piano teacher) studios or concert venues.
Myth: Tuning by ear is the only way! Electronic tuning machines are no good!
Fact: Not necessarily. It depends on the qualifications (trade papers) of the tuner. A major advantage for the customer is being able to see, electronically, if their piano requires a pitch raise or not. Without seeing visually where their piano is at, the customer must take the word of the piano tuner (and pay more) and cannot dispute a pitch raise suggestion!
Myth: The piano tuner used a machine! This tuner does not know how to tune.
Fact: Not necessarily. If the piano tuner served an apprenticeship and has trade papers, they certainly know what they are doing.
Myth: The piano tuner used a machine and tuned from the lowest note in the bass to the highest note in the treble without checking intervals. They do not know what they are doing!
Fact: Wrong! The tuner was probably doing a pitch raise or a pitch lowering in order to stabilize the piano at A440. The actual fine tuning would be done immediately afterward.
Myth: Moving a piano completely puts the piano out of tune.
Fact: If pianos are moved small distances very carefully in stable environments, there is actually very little change. By far, people use moving as an excuse instead of not tuning their pianos for a great many years!
Myth: Piano teachers are fully trained in piano inspection.
Fact: Teachers are very useful in playing and hearing the tone of pianos but almost always have no piano technological background. They have no tools for inspecting piano defects. All the teachers I know call me first to inspect pianos for their students.
Myth: It is more expensive to tune a grand piano than an upright piano.
Fact: It should not be! When tuning a grand the tuner usually sits on the piano bench and can rest his/her arm near the tuning pins. When tuning an upright the tuner must either stand (in an awkward position) or sit and has to have the tuning arm above the head (which is not very comfortable and more strenuous on the body). Also, it is much easier to set a temperament in a well scaled grand piano than a smaller upright.
Myth: It is easier to tune an upright piano than a grand piano.
Fact: Not necessarily. Generally speaking, I find it much easier to tune grand pianos because it is much less stressful on my tuning arm.
Myth: Blind piano tuners are superior to sighted tuners.
Fact: Not necessarily. Fully qualified blind tuners are equal to fully qualified sighted tuners.
Myth: Piano tuners who cannot play do not know how to tune.
Fact: Some of the best piano tuner technicians in the business do not know how to play - at all!
Myth: My piano only needs tuning.
Fact: If pianos are used regularly, they ALWAYS need additional work. Using an analogy, let's talk about your car. Does it only need gas or oil and nothing else - EVER? What about engine maintenance, windshield washer fluid, air in the tires, headlights, tail lights, wheel balancing, etc.
Myth: The piano tuner finished in under one hour, they did not do a good job.
Fact: Some tuners (very few) are extremely fast at their craft. You might ask if they completely checked the piano for sticking notes or regulation problems. Most tuners I know take 1 1/2 hours per visit.
Myth: Should I put a jar of water inside my piano?
Fact: Nowadays, humidity is well controlled by piano humidifier and dehumidifier systems. Depending on where you live, it would be best to have a Registered Piano Technician service your piano several times during a year or two to document any idiosyncrasies of your piano. If there are wild swings of pitch, your technician may suggest purchasing a humidity control system.
Myth: My soundboard has cracked, my piano is ruined!
Fact: Not necessarily. Some pianos have soundboards with many cracks and they sound just fine. However, there is no question that the value of the piano will be less because of the noticeable visual defect.
Myth: Piano tuners require perfect silence when tuning.
Fact: The piano tuner requires reasonable (not complete) silence in order to do their work accurately. The vacuum cleaner is the piano tuner's worst enemy!
This list will be continually updated. For additions, contact paulbrn@telus.net
Myth: Pianos get better over time.
Fact: No! Can you think of ANY manufactured item that gets better over time? When you buy a car, you are advised by the car manufacturer to set up a maintenance schedule because your car will require yearly service. That's because over time, parts will start to deteriorate. Using the car analogy again, if you drive your car constantly, the tires will eventually go bald and lose the tread to grip the road surface. In a piano hammer, the surface must be very smooth to produce a high quality sound. Over time, from constant use, the hammers become heavily grooved and the sounds produced becomes very strident, loud and difficult to listen to. Only by re-shaping the hammers, can the surfaces be brought back to smooth oval shapes to produce the best sounds possible. So far, I've only talked about piano hammers. What about the thousands of other parts of the piano action that require yearly maintenance. Sadly, most piano owners almost never keep their pianos maintained. They usually call to have their pianos tuned (not realizing that they are actually calling the tuner to fix something!).
Myth: A piano tuner is the same as a piano technician.
Fact: No! Some tuners only know how to tune and have no formal training in repair or maintenance. Again, it comes down to trade papers. Are they qualified or are they not?
Myth: All tuners who advertise their craft are qualified.
Fact: No! Piano tuning is NOT a regulated profession. ANYBODY can buy tools, a tuning machine and go out into the public domain and work as a 'Professional' (only means that they take money for their work) Piano Tuner. One of the most glaring examples I saw was a very large yellow page ad in the phone book. The person advertised themselves as a professional piano tuner and could not even set pitch (A440). They had no knowledge of how to set a temperament either! Please check for trade papers and if those are not easily available, recommendations (word of mouth) from recording or music (piano teacher) studios or concert venues.
Myth: Tuning by ear is the only way! Electronic tuning machines are no good!
Fact: Not necessarily. It depends on the qualifications (trade papers) of the tuner. A major advantage for the customer is being able to see, electronically, if their piano requires a pitch raise or not. Without seeing visually where their piano is at, the customer must take the word of the piano tuner (and pay more) and cannot dispute a pitch raise suggestion!
Myth: The piano tuner used a machine! This tuner does not know how to tune.
Fact: Not necessarily. If the piano tuner served an apprenticeship and has trade papers, they certainly know what they are doing.
Myth: The piano tuner used a machine and tuned from the lowest note in the bass to the highest note in the treble without checking intervals. They do not know what they are doing!
Fact: Wrong! The tuner was probably doing a pitch raise or a pitch lowering in order to stabilize the piano at A440. The actual fine tuning would be done immediately afterward.
Myth: Moving a piano completely puts the piano out of tune.
Fact: If pianos are moved small distances very carefully in stable environments, there is actually very little change. By far, people use moving as an excuse instead of not tuning their pianos for a great many years!
Myth: Piano teachers are fully trained in piano inspection.
Fact: Teachers are very useful in playing and hearing the tone of pianos but almost always have no piano technological background. They have no tools for inspecting piano defects. All the teachers I know call me first to inspect pianos for their students.
Myth: It is more expensive to tune a grand piano than an upright piano.
Fact: It should not be! When tuning a grand the tuner usually sits on the piano bench and can rest his/her arm near the tuning pins. When tuning an upright the tuner must either stand (in an awkward position) or sit and has to have the tuning arm above the head (which is not very comfortable and more strenuous on the body). Also, it is much easier to set a temperament in a well scaled grand piano than a smaller upright.
Myth: It is easier to tune an upright piano than a grand piano.
Fact: Not necessarily. Generally speaking, I find it much easier to tune grand pianos because it is much less stressful on my tuning arm.
Myth: Blind piano tuners are superior to sighted tuners.
Fact: Not necessarily. Fully qualified blind tuners are equal to fully qualified sighted tuners.
Myth: Piano tuners who cannot play do not know how to tune.
Fact: Some of the best piano tuner technicians in the business do not know how to play - at all!
Myth: My piano only needs tuning.
Fact: If pianos are used regularly, they ALWAYS need additional work. Using an analogy, let's talk about your car. Does it only need gas or oil and nothing else - EVER? What about engine maintenance, windshield washer fluid, air in the tires, headlights, tail lights, wheel balancing, etc.
Myth: The piano tuner finished in under one hour, they did not do a good job.
Fact: Some tuners (very few) are extremely fast at their craft. You might ask if they completely checked the piano for sticking notes or regulation problems. Most tuners I know take 1 1/2 hours per visit.
Myth: Should I put a jar of water inside my piano?
Fact: Nowadays, humidity is well controlled by piano humidifier and dehumidifier systems. Depending on where you live, it would be best to have a Registered Piano Technician service your piano several times during a year or two to document any idiosyncrasies of your piano. If there are wild swings of pitch, your technician may suggest purchasing a humidity control system.
Myth: My soundboard has cracked, my piano is ruined!
Fact: Not necessarily. Some pianos have soundboards with many cracks and they sound just fine. However, there is no question that the value of the piano will be less because of the noticeable visual defect.
Myth: Piano tuners require perfect silence when tuning.
Fact: The piano tuner requires reasonable (not complete) silence in order to do their work accurately. The vacuum cleaner is the piano tuner's worst enemy!
This list will be continually updated. For additions, contact paulbrn@telus.net
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